Things Everyone Forgot About

The horrible treatment in the first few months of Arab-Americans after 9/11.

Hipsters = Visigoths

So says Adbusters magazine:

Hipsterdom is the first “counterculture” to be born under the advertising industry’s microscope, leaving it open to constant manipulation but also forcing its participants to continually shift their interests and affiliations. Less a subculture, the hipster is a consumer group – using their capital to purchase empty authenticity and rebellion. But the moment a trend, band, sound, style or feeling gains too much exposure, it is suddenly looked upon with disdain. Hipsters cannot afford to maintain any cultural loyalties or affiliations for fear they will lose relevance...

The hipster represents the end of Western civilization – a culture so detached and disconnected that it has stopped giving birth to anything new.

Um...... sure.

"The Revolt of the White Lower Middle Class"

Pete Hamill from 1976 in New York Magazine. A few noteworthy passages:

It is very difficult to explain to these people that more than 600,000 of those on welfare are women and children; that one reason the black family is in trouble is because outfits like the Iron Workers Union have practically excluded blacks through most of their history; that a hell of a lot more of their tax dollars go to Vietnam or the planning for future wars than to Harlem or Bed-Stuy; that the effort of the past four or five years was an effort forced by bloody events, and that they are paying taxes to relieve some forms of poverty because of more than 100 years of neglect on top of 300 years of slavery. The working-class white man has no more patience for explanations.

"If I hear that 400-years-of-slavery bit one more time," a man said to me in Farrell's one night, "I'll go outta my mind!"

Another:

In any conversation with working-class whites, you are struck by how the information explosion has hit them. Television has made an enormous impact on them, and because of the nature of that medium—its preference for the politics of theatre, its seeming inability to ever explain what is happening behind the photographed image—much of their understanding of what happens is superficial. Most of them have only a passing acquaintance with blacks, and very few have any black friends. So they see blacks in terms of militants with Afros and shades, or crushed people on welfare. Television never bothers reporting about the black man who gets up in the morning, eats a fast breakfast, says goodbye to his wife and children, and rushes out to work. That is not news. So the people who live in working-class white ghettos seldom meet blacks who are not threatening to burn down America or asking for help or receiving welfare or committing crime. And in the past five or six years, with urban rioting on everyone's minds, they have provided themselves (or been provided with) a confused, threatening stereotype of blacks that has made it almost impossible to suggest any sort of black-white working-class coalition.

"Why the hell should I work with spades," he says, "when they are threatening to burn down my house?"

And a third:

The revolt involves the use of guns. In East Flatbush, and Corona, and all those other places where the white working class lives, people are forming gun clubs and self-defense leagues and talking about what they will do if real race rioting breaks out. It is a tragic situation, because the poor blacks and the working-class whites should be natural allies. Instead, the black man has become the symbol of all the working-class white man's resentments.

"I never had a gun in my life before," a 34-year-old Queens bartender named James Giuliano told me a couple of weeks ago. "But I got me a shotgun, license and all. I hate to have the thing in the house, because of the kids. But the way things are goin'. I might have to use it on someone. I really might. It's comin' to that. Believe me, it's comin' to that."

What all these passages get at is the gap between perception and reality. The white guy doesn't hear about the black people who work just as hard as they do, so he assumes all of them are lazy. He only sees the lazy ones, or the militant ones - in general, the ones at the extremes. And, despite what the bartender says, it's not "coming to that." No black person was going to burst into his house and slaughter his family - but the militants on TV kept threatening to do so and he believed them.

Lieberman in 2000

When reading about the recent death of Clay Felker, the founder of New York magazine, I stumbled upon a collection of old New York articles, including this one from when Joe Lieberman was named as Al Gore's running mate in 2000.

It would be interesting to see how many of the (presumably liberal) Jews gushing over Lieberman's nomination now think he's a crazy neoconservative hawk/traitor to Democratic party. And to think that Joe Lieberman, who is one of John McCain's strongest supporters, was once the Democratic vice presidential nominee, is sort of mind-boggling. (Also mind-blogging: Joe Torre managing Nomar Garciapara.)

It's also an interesting reminder of how certain issues can fade in and out over time. Lieberman probably held at least borderline-neoconservative views in 2000, but they weren't as well-known and weren't problematic because no one thought the United States would be attacked by Islamic terrorists and even if we were, no one thought the United States would recklessly try to fight two wars at one time, etc. So his agreement with Democrats on social, economic, etc. issues was much more important than his agreement with Republicans in some foreign policy areas.

ADDENDUM: And there's this:

Dan Kurtzer, an Orthodox Jew, is the ambassador to Egypt.

Is it just me or does that sound like a horrible idea? I realize Egypt and Israel are at peace, but an Orthodox Jew as ambassador to a Muslim country? Based on a google search, it appears to have worked out OK, but I still find it surprising.